Campus Watch Research
The Most Embarrassingly Wrong Book Ever on the Middle East?
by Daniel Pipes
[WT title: "One for the Graveyard of Middle East Predictions." Text differs slightly.]
"The Middle East is the graveyard of predictions" notes the left-wing writer and editor Adam Shatz. That's partly because it's so volatile (no one in 2014 imagined the revival of an executive caliphate after eleven centuries) and it's perverse (Turkey's President Erdoğan started a near-civil war against the Kurds to win constitutional changes he does not need).
In part, too, predictions fail because of the general incompetence of the specialists in the field. Often, they lack the common sense to see what should be self-evident. Case in point: the collective swoon upon the accession of Bashar al-Assad to the presidency of Syria in 2000.
Some analysts of Syrian politics expressed skepticism about a 34-year-old ophthalmologist's ability to manage the "desolate, repressive stability" that he inherited from his dictatorial father who had ruled for thirty years. They suggested that the "deep tensions in Syrian society ... could explode after the long-time dictator's demise."
But most observers divined in the young Assad a decent fellow if not a closet humanitarian. David W. Lesch, an academic who rejoices in the title of Ewing Halsell Distinguished Professor of Middle East History at Trinity University in San Antonio, Texas, led this particular pack. Lesch befriended the young strongman, enjoying what his publisher calls "unique and extraordinary access to Syria's president, his circle, and his family."
Those long hours of conversation led to a 2005 book, The New Lion of Damascus: Bashar al-Asad and Modern Syria (Yale University Press) and a cascade of praise from fellow academics: Moshe Ma'oz of the Hebrew University found it "very informative and perceptive." Curtis Ryan of Appalachian State University called it "revealing." James L. Gelvin of UCLA praised it as "an extraordinarily readable and timely account." A prestigious Washington think tank hosted a discussion of the book's findings.
But the passage of a dozen years, half of them consumed by Assad's monstrous brutality in the region's most lethal civil war of modern times, provides a very different perspective from which to gauge Lesch's scholarship.
Assad responded to peaceful demonstrations against his regime that began in March 2011 not with reforms but with vicious force. The total number of dead totals about 450,000 out of a pre-war population of 21 million. Assad's personal barbarism has throughout been the key to this conflict; exploiting his control of the skies, his troops have perpetrated an estimated 90 percent of the war's fatalities.
According to the United Nations High Commissioner for Refugees, over 5 million Syrians have been internally displaced and another 6.3 million have fled the country, causing crises in such disparate countries as Jordan, Lebanon, Turkey, Greece, Hungary, Germany, and Sweden.
Privately too, Assad is an exemplar: "He changes diapers, gets up in the middle of the night to calm a crying child. ... During the entire first year of [his son's] life, Bashar did not once miss giving him his daily bath."
For Westerners, he's cool culturally: "As well as liking music by Phil Collins, he enjoys Kenny G., Vangelis, Yanni, some classical pieces, and 1970s Arab music. He loves classic rock, including the Beatles, Supertramp, and the Eagles, and he has every album by the Electric Light Orchestra."
As for his wife Asma, she "certainly seems to share her husband's calling to do everything in his power to make Syria a better place for their children and grandchildren."
To his credit, Lesch recognizes the possibility of an implosion, "with regime instability leading to a potential civil war." But he rejects this scenario because "The opposition to the regime within Syria ... is divided and relatively weak."
New Lion, a monument of scholarly humiliation, not surprisingly is out of print and has vanished from Yale University Press's website. More surprisingly, Yale in 2012 returned to Lesch for another masterpiece, this one with the unfortunate title, Syria: The Fall of the House of Assad.
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